The Smart Phone World

I came across this article in The Independent online newspaper and I'm reminded of the seemingly hopeless addiction that a number of my students have to their mobile phones and

particularly the so called smart phones. From one of the presentations that the students gave, I learnt that a smart phone is not just a phone it's a wireless key, at which point I thought perhaps it's generational. Apparently those under 25 article are considered to be digital natives whereby those over 25 are deemed to be digital immigrants. I shall shall stick to the blogging which is far more interesting.

Hopelessly addicted to technology

"BlackBerry thumb" is the name of the latest health hazard. It is defined as a form of repetitive strain injury caused by the overuse of mobile phones to send emails and texts.

It has apparently become so widespread that some lawyers are hoping to cash in by claiming compensation for the victims. One of those hopeful lawyers told The Daily Telegraph that people suffering from BlackBerry thumb injury might not be aware that it could be "work-related" and hence a possible source of extra income for them.

Repetitive strain injury is already blamed on excessive use of computers, which scientists have also linked to glaucoma, stress and assorted mental problems.

As for mobiles, miscellaneous reports over the years have warned of all kinds of possible harmful effects, including heart and kidney damage, headaches, Alzheimer's, Parkinson's – not to mention cancer. Government scientists have repeatedly advised that children should not be given mobile phones because of the risk of possible brain damage.

Nobody, not even the parents of those children, has taken a blind bit of notice. The truth is that people are by now so dependent on modern technology that they are prepared to ignore all the possible risks to their health or security – even when they might affect their children.

http://www.independent.co.uk/opinion/columnists/richard-ingrams/richard-ingrams-get-off-your-bike-boris-and-try-the-misery-of-trains-2253399.html

Earth Hour and the World Wildlife Fund

This is such a great idea to bring our world's nations together to raise awareness of a great cause and hopefully create a better tomorrow for us all. 

Something light hearted for a Monday night.

This is good fun to watch:

Building Bridges Between Cultures

Here is a selection of world fiction I came across on the Vintage Books website. Books especially literature, like films can open windows on foreign cultures enabling us to understand each other better, thereby allowing bridges to be built across cultural and geographical divides. So if you love books as much as I do then I hope you can enjoy some of those below:

DENMARK
Johannes Reis, editor at Gyldendal, would give his best friend a novel he worked on after the author’s untimely death: Jakob Ejersbo’s Liberty (forthcoming in English from the Maclehose Press). The novel is the third volume in Ejersbo´s Africa Trilogy, and is the story of two friends, Christian from Denmark and Marcus from Tanzania, alternating between their points of view. It explores friendship, love, loss, good intentions and corruption. ‘I admire it not least because of its insistence that we all exist in a larger context than our own immediate concerns,’ says Johannes.
FRANCE
Jean Mattern, Editor at Gallimard chooses an Icelandic novel by Jon Kalman Stefansson called Himnariki og Helviti (Heaven and Hell). ‘It's simply one of the most beautiful novels I have read in my whole life,’ he says.

GERMANY
Hans Juergen Balmes, editor at Fischer Verlag, would give his best friend Alberto Manguel’s wonderful puzzle of a novel All Men Are Liars, about a French journalist investigating the unexplained death of a brilliant South American writer Alejandro Bevilacqua, found lying on his balcony floor in Madrid in the mid-1970s.
GREECE
Angela Sotiriou, Editor at Psichogios, distinguishes between the sexes. To her best male friend she would give Stieg Larsson’s Millennium Trilogy. Her best girlfriend would receive a Greek novel: Thodoris Papatheodorou’s Mothers of Empty Embrace, which is about mothers losing their children during the Greek civil war.
ITALY
Fabio Muzi Falcone, editor at Feltrinelli, picks a French novel: Laurent Mauvignier’s Des hommes (About Men). Set in a small French village, it tells the story of Bernard, a man reduced to a shadow of what he used to be. In his past, there is a tremendous wound that hasn’t healed: the war in Algeria. ‘It’s the best contemporary novel I’ve read in a long time,’ says Fabio. ‘The first quarter of the book is amazing: written in a kind of quick slow-motion, the smallest detail becomes a revelation. Pure pleasure!’
JAPAN
Kazuto Yamaguchi, editor at Kodansha, chooses a children’s picture book by the well-known Japanese author Yoko Sano: The Cat Who Lived a Million Times. ‘It teaches us,’ he says, ‘a profound truth about life.’
HOLLAND
Michele Hutchison, editor at De Arbeiderspers, would give The Twin by Gerbrand Bakker, winner of this year's IMPAC Prize. ‘I loved the purity of the prose,’ she says, ‘the heart-wrenching bleakness of the setting and the solitude of the characters – it is painfully beautiful and utterly unforgettable.’
INDIA
Chiki Sarkar of Random House India picks Rabindranth Tagore’s  Three Women. The three novellas collected in the book are deeply felt, nuanced stories of upper-class Bengali women at the turn of the century, each one inadvertently caught up in an illicit love. ‘If you like Turgenev's First Love, Kate Chopin's Awakening or Edith Wharton's The House of Mirth, then this is the book for you,’ says Chiki. ‘Perfect to curl up with in front of the Christmas fire.’
MEXICO
Mexican critic Angel Gurria would give Chico Buarque’s Leite Derramado (Spilt Milk). The author is Brazil's most celebrated singer-songwriter, but he has proved he is also one of his country's most remarkable novelists. The book is a masterfully nuanced riches-to-rags family saga narrated by an unreliable centenarian, offering a rich and melancholy evocation of Rio de Janeiro's decadence.
MIDDLE EAST
André Gaspard of Saqi Books suggests Hassan Massoudy’s The Calligrapher’s Garden. ‘This book is about all that is beautiful and loving,’ he says.
PORTUGAL
Clara Capitão, editor at Objectiva, would give Antonio Tabucchi’s Requiem, the only novel the Italian novelist wrote in Portuguese. ‘It is a wonderful book with a dreamy texture,’ she says, ‘which pays homage to the beautiful city of Lisbon and to the immortal poetry of Fernando Pessoa.’
RUSSIA
Russian literary agent Elena Kostioukovitch chooses Imago by Ludmila Ulitskaya, a novel about three gifted friends in seventies Moscow who get caught up in the dissident movement. ‘It is full of humour and philosophy, emotion and artistry,’ says Elena. ‘Episodes pass, often in a single paragraph, from high tragedy to almost Svejkian comedy: a very serious and very funny book.’
SPAIN
Miguel Aguilar, editor at Random House Mondadori, chooses Javier Cercas’s Anatomia de un instante (The Anatomy of a Moment), ‘a fascinating exploration of loyalty and treachery by an extraordinarily gifted writer, who set out to write a novel and ended up writing the best (non fiction) book on the coup d’etat of 1981 in Spain.’
TURKEY
Muge Sokmen, Editor at Metis Publishers, would give her best friend a novel by ‘the sage of Turkish literature’ Bilge Karasu: The Garden of Departed Cats. This ‘surreal, utterly unique’ novel is about a game of chess played with human pieces in an ancient Mediterranean city. In between the chapters are a dozen fable-like stories set in different times and places which explore themes of power play and the impossibility of love.

http://www.vintage-books.co.uk/books/International_writing/WorldFavouriteBooksInTranslation/

American Poets

I came across this on The Guardian newspaper website. I'm not really one for rankings especially with literature but I'm a great  believer in opening more doors.  

 

The 10 best American poems

The list could go on and on, but these are the poems that seem to me to have left the deepest mark on US literature – and on.

 

Engraving of Walt Whitman by George C Cox. Image: Bettmann/Corbis

For whatever reason, I woke up today with a list of the 10 greatest American poems in my head that had been accumulating through the night. Every list is subjective, and of course the use of "greatest" even more so - but these are not just "favorite" poems. I've been thinking about American poetry - and teaching it to university students - for nearly 40 years, and these are the 10 poems that, in my own reading life, have seemed the most durable; poems that shifted the course of poetry in the United States, as well as poems that I look forward to teaching every year because they represent something indelible. The list could go on and on, of course. I deeply regret leaving off Roethke's "The Lost Son", Adrienne Rich's "Diving into the Wreck" and "The Asphodel, that Greeny Flower" by William Carlos Williams. But I guess I just sneaked them onto the list, didn't I?

1. "Song of Myself" by Walt Whitman

Whitman reinvents American poetry in this peerless self-performance, finding cadences that seem utterly his own yet somehow keyed to the energy and rhythms of a young nation waking to its own voice and vision. He calls to every poet after him, such as Ezra Pound, who notes in "A Pact" that Whitman "broke the new wood."

2. "The Idea of Order at Key West" by Wallace Stevens

Stevens's sumptuous, glittering language takes blank verse and reinvents it. This poem raises to a sublime level what Stevens once called a war "between the mind and sky." The poem celebrates the "blessed rage for order" at the heart of all creative work.

3. "Because I could not stop for death" by Emily Dickinson

A perfect poem, and one of Dickinson's most compressed and chilling attempts to come to terms with mortality. Once read, it stays in the head forever, in part because of the ballad stanza, so weirdly fresh in her capable hands.

4. "Directive" by Robert Frost

This surprising late poem concentrates Frost's lifetime of thinking and working as a poet. "Drink and be whole beyond confusion," he says at the end, mapping out the inner life of any reader. It is blank verse cast in Frost's trademark craggy voice, and it might be considered a local response to Eliot's more cosmopolitan "The Waste Land."

5. "Middle Passage" by Robert Hayden

Hayden was an African American poet who managed, in this brief epic, to bring the slave trade into lyrical focus with a polyphony of voices. The fierce drive for liberty has rarely been so beautifully framed or embodied. It's a haunting poem that operates in complex ways.

6. "The Dry Salvages" by TS Eliot

This is the "American quartet", and it's uneven; but it brings into a single major poem many of Eliot's concerns, rooting his vision in the American landscape, especially the St. Louis of his boyhood and the area off the north shore of Boston. The fifth section contains Eliot's most sublime moments of religious contemplation as he thinks about "hints and guesses", which is all we ever get: "and the rest / Is prayer, observance, discipline, thought and action".

7. "One Art" by Elizabeth Bishop

This villanelle brings to a height the craft and ironic tone of a poet of casual grace. It's a poem about losses, small and big, and it's stunning in the way its power accumulates, stanza by stanza. This is a poem to memorise and repeat in the wee hours of the night.

8. "To My Dear and Loving Husband" by Ann Bradstreet

I can't think of another poem that so beautifully captures the deep love of a wife for her husband. The clarity and force of the poem overwhelm me whenever I re-read it, which I do quite often.

9. "Memories of West Street and Lepke" by Robert Lowell

It's hard to pick among the half-dozen best of Lowell's poems from his groundbreaking volume, Life Studies (1959), but I find myself reading this one over and again, always drawn to the personal voice, at once shaky and firm – the firmness arising from the confident free verse, with its searing portrait of the convict, Czar Lepke, "flabby, bald, lobotomized" who hangs "in his air / of lost connections".

10. "And Ut Pictura Poesis Is Her Name" by John Ashbery

"You can't say it that way anymore," Ashbery declares, ushering into American poetry a fresh way of seeing and saying the world, celebrating "The extreme austerity of an almost empty mind". Ashbery's diarylike poems, collecting American life like flies on sticky paper, draw me to them, irritating me, inspiring me, never more perfectly than in this poem, which plays off a famous phrase from Horace that compares poetry and painting.

For full article see: http://www.guardian.co.uk/books/booksblog/2011/mar/11/best-american-poems

A Homage to a World City.

This is one of the greatest opening film scenes ever made and it seems to evoke the quintessential nature of New York.

Working to Live or Living for Work

Working to live or living for work? Sometimes the distinctions between these two become blurred especially in today's modern societies. The drive for success places real demands on the individual; it's so easy to become caught up in the whole relentless push for greater success. Yet does it all really matter at the end of the day.  If one can find contentment in one's own life outside of work then isn't this the real touchstone. 

A World Within a Language

"In order to translate, one must know a lot of things, most of them independent of mere grammatical competence."
"Every language expresses a different world view"

When I first came across these views by Umberto Eco, I couldn't help but think that he's onto something here. I work with second or third language users of English on a daily basis and these views have confirmed my thoughts; the more that is understood about the world view or culture of the foreign language then the easier the language becomes. In other words as a former tutor  once said to me "focus on the person [and that person's world] and the language will take care of itself." 

Just for Fun on a Monday Night.

Keep this one secret from Steve Jobs ~